Music Industry Mourns Shravan Rathod’s Untimely Demise: Kumar Sanu, Alka Yagnik Remember Him As ‘ever Smiling’

‘ Saanson ki zaroorat hai jaise… ’ these words are adequate for listeners across generations to guess the sung from Aashiqui ( 1990 ). not merely that, music composer couple Nadeem-Shravan have delivered countless classics over the years, proper from Raja Hindustani ( 1996 ), to Dhadkan ( 2000 ), Raaz ( 2002 ), Hum Hain Rahi Pyar Ke ( 1993 ), and many more. And one half of the couple, Shravan Rathod, died on Thursday due to Covid 19 at the senesce of 66, leaving behind a musical bequest. Tributes started pouring in on social media soon, and among the foremost few was Ajay Devgn, whose debut film Phool Aur Kaante ’ mho ( 1991 ) music was scored by the composers. “ Shravan ( and Nadeem ) walked 30 years alongside me in my career with the evergreen album for Phool Aur Kaante. Very deplorable, very unfortunate to hear of his demise last night. Condolences to his syndicate. # Shravan, ” he tweeted. Akshay Kumar besides took to social media to express his emotions at the news program of Shravan ’ s end. “ very sad to know about the pass of music composer Shravan. Nadeem-Shravan created charming for many films in 90s and later, including Dhadkan that has remained fabled in my career. Deepest Condolences to his syndicate, ” wrote the 53-year-old. Among others to pay their tributes to the deep composer were singer Shreya Ghoshal, filmmakers Kunal Kohli and Subhash Ghai, who had worked with them on his movie Pardes.

The one thing all his frequent collaborators tell us is Shravan would always be smiling, at all times. ABHIJEET BHATTACHARYA
Music industry mourns Shravan Rathod’s untimely demise: Kumar Sanu, Alka Yagnik remember him as ‘ever smiling’

I had given many chartbusters before, but Nadeem-Shravan made me sing with them very former. It started with Raaz, then Judaai. Shravan jemaah islamiyah would always smile. Koi bhi baat kehni holmium smile ke saath kehte the, kisi ko bura bhi nahi lagta tha. 99 percentage music directors ko yeh nahi maloom qi gaana gavana kaise hai, jo bhi singer gaa deta hai vaah vaah hai. They can ’ thymine tell the singer how to sing the sung, Nadeem Shravan knew how to do that. That ’ s the best thing for a singer, if the music conductor knows how to sing even a bit. It was an asset, voh gaa ke bata dete the. UDIT NARAYAN
Music industry mourns Shravan Rathod’s untimely demise: Kumar Sanu, Alka Yagnik remember him as ‘ever smiling’

Shravan jemaah islamiyah was a antic person. He was like my elder brother, and gave me more love than what even a brother would. Any time I would be in worry, he would call me and say ‘ Udit babu, I am there preceptor ’ deoxythymidine monophosphate concern ’. He would come to my family. I can ’ metric ton believe this news it ’ randomness truly shocking. They gave me my best songs, including Raja Hindustani ( Aaye Ho Meri Zindagi Mein, Pardesi Pardesi ), Kusoor ( Zindagi Ban Gaye Ho Tum ). Main toh grateful rahunga, jab tak rahunga i duniya mein. Everyone would ask him ‘ how can a person be smiling all the time ? ’ People appreciate person when they pass away, but I never heard him say bad even for anyone otherwisea. I last spoke to him when he was in Kumbh recently.

ALKA YAGNIK
Music industry mourns Shravan Rathod’s untimely demise: Kumar Sanu, Alka Yagnik remember him as ‘ever smiling’

This news is devastating. We can ’ t even meet and condole the family. I worked with Nadeem-Shravan in Saajan, Dhadkan and Hum Hain Raahi Pyaar Ke. Shravan jemaah islamiyah was a dessert, kind man, ever smiling. What should I say, words are not enough when you have been very closely associated. The grief and shock is inside your kernel. I am not being able to speak, it is inactive besides early. KUMAR SANU
Music industry mourns Shravan Rathod’s untimely demise: Kumar Sanu, Alka Yagnik remember him as ‘ever smiling’

Shravan was a gem. A beautiful human being, a terrific composer and a mentor. I have done some of my best work with him. It is a dark day for the music diligence .

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