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How to Master a Bollywood Song with FREE Plugins

How to Master a Bollywood Song with FREE Plugins
Watch this video on YouTube Insert 1: Melda Audio’s MEqualizer to Cut Side Image Lows and Boost Highs Insert 2: Slate Digital’s Fresh Air to Increase Transient Clarity Insert 3: Voxengo’s Tube Amp to Add Mild Harmonic Distortion Bus Send: Analog Obsession’s Britpressor for Parallel Compression Insert 1 on Stereo Output: Venn Audio’s Free Clip to Softclip prior to Limiting Insert 2 on Stereo Output: Thomas Mundt’s LoudMax for Limiting Bollywood is a absorbing genre. not only does it utilize traditional orchestration with building complex timbres, but it besides blends in advanced western orchestration and themes like 808s with modern popular melodies and singing styles. Of course, the music genre is complex and takes many forms, but this blend of traditional and modern instrumentation seems to be somewhat common in the genre. With that in beware, a Bollywood overcome needs to sound upfront and show, but it besides needs to hold on to its natural timbre. The chain that we ’ re using in this video achieves this, all while using release plugins. We ’ ll case each plugin being used, how we ’ re using it, and then listen to the master along the way angstrom well as one full time through near the end of the television. If you have a mix that you’d like mastered, send it to us here: We’ll master it for you and send you a free mastered sample of it for you to review.

Insert 1: Melda Audio’s MEqualizer to Cut Side Image Lows and Boost Side Highs

The MEqualizer is used to attenuate the side image's low frequency range.The MEqualizer is used to attenuate the side image’s low frequency range. Although what you choose to equalizer will depend on the mix, some of the settings we use here will work well for most mastering sessions. Using the MEqualizer in its mid-side mode, we ’ rhenium going to attenuate the side effigy using a high-pass trickle .Be sure to enable mid-side processing on the plugin.Be sure to enable mid-side processing on the plugin. To do this we ’ ll create a ring, right-click it, then select high excrete and assign it to the side image. then we ’ ll cut up to a little over 100Hz. This will make our low-end mono and more driving. additionally, we ’ ll promote the english persona ’ s high frequencies with a high gear ledge. This will naturally expand the stereo persona by amplifying the side image. additionally, it ’ ll add some clearness. last, for this particular mix, I want to cut a small of the low frequencies in the mid picture, since they ’ re a little excessively strong. If you want to learn more about equalization during mastering, watching this! How to Use subtractive EQ : overcomeHow to Use Subtractive EQ: Mastering
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Insert 2: Slate Digital’s Fresh Air to Increase Transient Clarity

Fresh Air augments the high end of the frequency spectrum.Fresh Air augments the high end of the frequency spectrum. Fresh Air is a high frequency counterweight, equally well as a very insidious stereophonic image which adds a draw of clearness and air to a master. With it, I’ll increase the mid-air setting to somewhere under 10 and the high air setting to somewhere right above 10. This will give us a clear and mod sound without becoming overbear. Be careful with these settings if you do choose to use this plugin since it isn ’ t unmanageable to use them excessively .Reduce the output trim to compensate for gain changes made using the plugin.Reduce the output trim to compensate for gain changes made using the plugin. last, I slenderly reduce the tailored to compensate for some of the amplification I fair added to the signal .

Insert 3: Voxengo’s Tube Amp to Add Mild Harmonic Distortion

Tube Amp adds subtle harmonic distortion which warms the master.Tube Amp adds subtle harmonic distortion which warms the master. For the adjacent insert, I want to add some balmy distortion to make the victor sound fuller and to make the fundamental frequencies more easily perceived. This will give the track a more forward and award sound. Using the Voxengo Tube Amp, I ’ ll increase the drive to about 3, and the diagonal to about 40 to give the signal some heat. I like the sound of Mode 2, and I increase the low-pass trickle to 20kHz to avoid truncating the high-frequency roll. Next, I reduce the output by a little more than a dB to again compensate for gain changes made to the signal. last, I enable oversampling to ensure that aliasing distortion doesn ’ thyroxine occur. This way, I can be surely that the merely distortion I ’ meter hearing is the distortion I intentionally created with the plugin. For more free saturation plugins, check out this video: exceed 9 exempt impregnation Plugins

Top 9 Free Saturation Plugins
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Bus Send: Analog Obsession’s Britpressor for Parallel Compression

The Britpressor makes for a great parallel compressor.The Britpressor makes for a great parallel compressor. following up, let ’ s use a bus and aide path for some analogue compression. I ’ ll set my bus commit to integrity and then insert the Analog Obsession Britpressor on the auxiliary channel. This compressor makes for a fantastic parallel compressor due to the balmy harmonic distortion it imparts on the signal, and the program-dependent attack and unblock settings it provides. I reduce the doorway and use the highest ratio setting to achieve about 12 to 16dB of attenuation. additionally, I use the automatic rifle or A1 functions for both the assail and dismissal. then I increase the high and mid-frequency ranges by 3dB and turn on a high-pass filter on up to 80Hz on the internal side range to emphasize some gamey and mid frequencies anterior to compression. Lastly, I increase the gain to the full 20dB and balance that by lowering the auxiliary track’s channel fader. This way I get the most character from the compressor as possible, but still, keep the overall flat of the parallel compressed track abject with the channel fader .Ideally your parallel compressed signal should be around -20dB.Ideally your parallel compressed signal should be around -20dB. ideally, I like to have my parallel compressed signal extremum somewhere around -20dB on the aide track ’ randomness meter .

Insert 1 on Stereo Output: Venn Audio’s Free Clip to Softclip prior to Limiting

Free Clip lets you shape transients prior to limiting.Free Clip lets you shape transients prior to limiting. With my bespeak processed on the duct clean, and then routed to an accessory path, I ’ thousand going to affect both channels simultaneously on the stereophonic output signal. The foremost insert I ’ ll consumption on the stereo output is the FreeClip plugin which takes any peaks and compresses them or soft-clips them. This way I’ve soft-clipped these peaks before sending the signal to a limiter, which would have used more aggressive and unpleasant sounding hard snip via its brick wall ceiling. I use the Quintic sic, which is a more insidious choice, and turn off the plugin to see at what level the signal is peaking. I then lower the plugin ’ s time ceiling to a little lower than where I observed the highest peaks. This way I know I ’ m using the soft-clipper, but not in a drastic way .This plugin includes oversampling which can be used to reduce aliasing distortion.This plugin includes oversampling which can be used to reduce aliasing distortion. last, and what I like about this plugin, is that I can turn on oversampling. This will make the amplitude of the signal more accurate, in turn, reducing the hypothesis of inter-sample nip which leads to unpleasant aberration .

Insert 2 on Stereo Output: Thomas Mundt’s LoudMax for Limiting

LoudMax is similar to the Waves L1 Limiter.LoudMax is similar to the Waves L1 Limiter. The last insert I ’ megabyte going to use is a great complimentary limiter called Loudmax. It ’ s about identical to an earlier version of the Waves Audio ’ s L1 limiter. With the plugin, I lower the doorsill which begins to limit the bespeak vitamin a well as introduces automatic pistol makeup gain. As a result, my signal becomes louder and more aggressive. I do this by a little under 3dB since I don’t want the effect to be too dramatic. then I turn on inter-sample top out and reduce the end product slightly. This way I can ensure that the bespeak doesn ’ deoxythymidine monophosphate clip and induce unwanted distortion .Use a True Peak level meter to ensure that no clipping is occurring.  Take this plugin off of your signal chain prior to exporting the track.Use a True Peak level meter to ensure that no clipping is occurring. Take this plugin off of your signal chain prior to exporting the track. last, I follow this plugin with Logic Pro ’ sulfur utility grade plugin and enable genuine peak monitor fair to ensure that again, no top out is occurring. once I ’ molarity confident in that, I remove this level meter anterior to bouncing out the cut .

Conclusion

Following the steps above and adapting them to the particular mix that you ’ ra working on can yield big results. additionally, decidedly replace any of the exempt plugins shown hera with your darling gainful plugins to get tied better results. again, the steps that we followed are : Insert 1: Melda Audio’s MEqualizer to Cut Side Image Lows and Boost Highs Insert 2: Slate Digital’s Fresh Air to Increase Transient Clarity Insert 3: Voxengo’s Tube Amp to Add Mild Harmonic Distortion Bus Send: Analog Obsession’s Britpressor for Parallel Compression Insert 1 on Stereo Output: Venn Audio’s Free Clip to Softclip prior to Limiting Insert 2 on Stereo Output: Thomas Mundt’s LoudMax for Limiting If you think that you master benefitted from the information here, let us know in the gossip section of the video. additionally, if there are any extra steps that you wish we had used, let us know that american samoa well. If you have a mix that you’d like mastered, send it to us here: We’ll master it for you and send you a free mastered sample of it for you to review. Get a Free Mastered Sample of Your Song →  SageAudio.com/register.php

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