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Music of England

The beginnings of artwork music in England can be traced to plainsong ( plainsong ). With the aid of monks and troubadours traveling throughout Europe, musical forms of many regions were freely intermingled and spread promptly. In the 16th and 17th centuries, England produced many celebrated composers, among them John Dowland, Thomas Morley, Thomas Tallis, and, possibly greatest of all, William Byrd. The musical stature of the Baroque composers Henry Purcell and George Frideric Handel remains undisputed. Music in England reached another acme in the deep nineteenth hundred, when comedian opera attained near perfection in the make of William Gilbert and Arthur Sullivan. Later significant composers include Edward Elgar, Gustav Holst, William Walton, and Benjamin Britten.

opera is regularly performed by the Royal Opera at Covent Garden, London, by the English National Opera, and by other companies. A world-renowned opera festival is held annually at Glyndebourne, and music festivals of many other types thrive. England besides has a count of orchestras, chamber groups, choruses, and cathedral choirs. The Sir Henry Wood Promenade Concerts, popularly known as the “ Proms ” and sponsored by the british Broadcasting Corporation, play nightly from July to September at London ’ s Royal Albert Hall, forming the largest regular classical music music festival in the populace.

English folk music music —exemplified by ballads, sea chanteys, children ’ s game songs, carols, and street cries—has had a frightful charm on the family music, and even the psalmody, of the United States, Canada, and other early colonies ; periodic revivals, particularly in the late 1960s and mid-1990s, helped to keep English tribe music before a broad populace. Drawing on the family and classical traditions alike, anthems such as “ God Save the Queen ”, “ Jerusalem, ” and “ Land of Hope and Glory ” are held in great affection. however, 20th-century british popular music, specially rock candy music, had tied more visible impingement on populace acculturation. Beginning in the 1950s with skiffle groups, young Britons began borrowing from american blues, rhythm and blues, and rock and peal to create their own version of each. By the mid-1960s, English “ tick ” groups such as the Beatles, the Rolling Stones, the Kinks, and the Who had burst onto the earth stagecoach ; in the United States their sensational popularity was labeled the british Invasion. Thereafter, rock and pop music remained among Britain ’ s main cultural exports, marked by the international popularity of Led Zeppelin, Elton John, and Pink Floyd in the 1970s and punk groups such as the Sex Pistols and the Clash later in the ten ; performers angstrom versatile as the Police, the Smiths, Boy George, the Spice Girls, Oasis, Blur, and Radiohead in the 1980s and ’ 90s ; and the techno music of the change by reversal of the century.

the Rolling Stonesthe Rolling Stones The Rolling Stones in the mid-1960s .© David Redfern/Retna