First, Understand Song Structure
It ’ mho authoritative to understand the structure of a song to help you DJ. I knowing song structure allows you to better navigate and plan your way through where to best equal and phrase match throughout your DJ located. At first this might seem a lot to take in, trust me when I say this, once you ’ ve got to grips with song structure and phrase match, after a while it will seem second gear nature to you. Almost as if you ’ ve got auto-pilot switched on. All song structures are different but some genres have similarities so it does help if you ’ re a DJ stick to one music genre or tied sub-genre. The build up of an electronic music traverse is normally built up of :
- Build up
- Drop / Verse
- Break down
- Build up
Below I ’ ve taken ‘ Battle for Middle You ‘ by Julio Bashmore. As you can see the sung structure is very like to the structure that I ’ ve stated above .
Remember though that not all song structures will be the same across all tracks in your scene or music genre.
Some sung structures are made up of alike sung structures or might have longer sections. such as in the ‘ Battle for Middle You ’ by Julio Bashmore chase, the refrain after the second drop is double over the come versus before the drop.Phrases are at the top, music path is in the middle ( pink ) and below are different sections of the music track ( multi-colours ). Notice the yellow and orange bars are consistent throughout the track, each made up of 32 beats per phrase. note that in different genres of music phrases may be slenderly different in length, possibly even 8 or 16. In a close up of the beginning of the music track you can see the presentation is made up of four phrases whereas the verse is lone technically two phrase .
Beats, Bars & Phrases
It ’ second significant to know that when you ’ re looking to gain the skill of phrase match, you need to know how to count bars within a phrase and a segment in a birdcall. It ’ s pretty bare to understand and easy to get to grips with.
Practice Tip: When you’re starting out as a beginner DJ you can simply count four bars of 8 beats. Then you will have counted one phrase. Repeat this to help you beat match phrases.
See below at the acme of the prototype, the intro section is made up of four 8 beat bars, forming one phrase within the intro. As you can see DJing is a skill that requires you to understand music as build up blocks. Phrases are the sum of 8 all in bars. basically micro pieces of a song structure. The foundation. song sections ( e.g. chorus or presentation ) are the building blocks of both 8 outwit bars and phrases. Macro pieces of a song structure .
Ok so now you know about :
- Song structure
- 8 bar beats
Your following skill is to understand how you can pick which give voice on each song to start mixing together. My golden rule is broadly not to mix in a path when a chorus is playing. normally a choir is the cream of the crop and most melodious function of a racetrack that people like, dance and sing a long to, specially if there are vocals in the track. Can you see why it ’ s so authoritative to know about song structure ? Imagine blend over the refrain of a in truth popular birdcall ? You be the spirit of the month as a DJ would you now ! A good way to think about mixing phrases together is by letting the Chorus end and menstruation into the poetry.
normally the Verse, I find, has less elements to the music track play and consequently is a good section of a song to mix in the intro of a modern track. Let ’ s visually map out and look at how two phrases would match together in this scenario .
Firstly. The existing track is playing.
Secondly, your job is to find a cue point
Cue the modern track at the startle of the intro, and start mixing it in at the begin of the Verse on the existing traverse .
Third. Make sure the phrases match & tempo is correct.
Fourth. Cross fade out of existing track into new track ‘Build Up’ section
Where the arrow is below that ’ s where you would have in full moved the cross fader over to the new track. Before this sharpen in the presentation, use the crisscross fader to smoothly bring in the fresh track. You may be thinking at this point, how to actually know when the start of a new section is playing, or is about to play. In this scenario above, you can easily count the amount of phrases from the beginning of the intro and throughout the birdcall. But this is not the lone proficiency for recover prompt points at the beginning of sections to help you phrase match .
Note : you don ’ triiodothyronine constantly have to start at the begin of a section e.g. presentation, to start mix. You can start half manner through an intro or build up. ampere long as the phrases match astir and the blend can sound smooth, then go for it .
Listening for Cues
This is a great way to understand how music sections are structured. And the Julio Bashmore track here is capital for this model. Check out the intro… There are two phrases within the first half of the presentation. At the end of each phrase there ’ s an audio prompt to signify the ending of a phrase. The first being a revoke cymbal into a crash cymbal. The second being secrecy of the barrel radiation pattern, allow for the synth sound to pop through. Having the silence signifies that there ’ s a change coming the music track and besides shows that it ’ s the end of the second idiom. This is a great way for you to get to grips with listening to music in a unlike way and become a better DJ .
Planning for Visual Cues
The other method you can use is more ocular than strictly listening. If you use DJ software for case, you can go through a track and pin point each section of a track. You can besides highlight which give voice you feel is best as a point to start mixing into the racetrack. All of this “ marking ” can be achieved with setting ‘ Cue Points ’ and ‘ Memory Cues ’ in Rekordbox or Serato DJ, most DJ software allows you to do this. As you can see in the image of Rekordbox above, I ’ ve used HOT CUES to help put in markers to represent the sections or phrases that I know I can either use as a Cue point or a marker of when to start desegregate in a new racetrack .
Learn Points to Remember
- Sections of songs can vary in size (amount of bars and phrases).
- Phrases usually consist of 32 beats, but can vary depending on genre of music.
- Phrases help you perform smooth transitions in your DJ mixes.
- You can count 8 beats per bar, some people prefer to count 4 beat bars (my brain prefers 8 beat bars).
- Map out hot cues for visual markers to mix your music.
- Listen out for drum fills, reverse crash cymbals, silence and synth risers to help you map out phrases and sections of tracks in your memory.
How do DJs know what song to play next? DJs count beats within a idiom or listen out for a signify good at the end of a phrase, such as a drum fill or reverse cymbal sound. This is an indicator for DJs to cue and start beat matching their new music track. How do you mix DJ songs? DJs habit prompt and cue points to know when to mix in fresh songs into each other. Cueing can be heard through the headphones and not the speakers. DJs can beat match two music tracks before mixing them together using the crossfader on a sociable. What it called when a DJ mixes two songs together? It is called ‘ outwit matching ’, ‘ mixing ’ or ‘ blending ’ when two music tracks together.